Question.691 - Watch the opening sequences of Saturday Night Fever and the baptismal sequence in the Godfather and explain how the editing elements function together to create an extremely powerful effect. In your essay, consider the role played by all the various film elements - visual details, dialog, music, editing, sound effects and editing. Answers should be between 250-500 words in paragraph format and include works cited in MLA format (Assignment time expectation 2-3 hours)
Answer Below:
Considering the cinematic technique used in all three clips tends to be wider and long shots since the primary focus was needed on the surroundings to have a better perception. Such as in the hurt locker opening scene or in most of the war sequences to depict a wider area to have a better view of diverse elements in the frame, while important subject appears closer to the camera. In the hurt locker, the bombing sequence uses a mix of Dutch angle shots with a certain tilt in the camera angle with a medium close-up with the frameset to the chest level of the actors, and a long shot to bring in an intense theme. Such as, when there is a bomb sequence involved to, long wider shot are employed in the sequence subject appear closer to the screen, yet the shot is wider to cover the whole subjects' body, portraying the viewer as a bystander in the intense bombing deactivating and medium long shot with this long shot. Staff Sergeant Matt Thompson, carrying a bomb costume, walks approaching an incendiary material that the squad had launched as a method of neutralizing others. The picture shifts to a wide angle from his viewpoint when he approaches the gap among himself and the explosion. The camera moves like Thompson's neck should, and the image provides spectators with a glimpse of the set. In that instant, spectators should select what to concentrate upon, just like Thompson does on screen. In addition, sound is crucial since it connects consumers by helping to transmit content, increasing aesthetic integrity, eliciting emotive reactions, emphasizing what was shown in the frame, and indicating atmosphere. When used correctly, vocabulary, audio effects, soundtrack, and even emptiness may significantly improve the quality of your film. Nevertheless, poor audio might derail any film. Despite this, sound is frequently overlooked during post-production, that is absurd given that no degree of processing wizardry could restore lousy audio. As seen in the videos, the cuts played a vital role in editing relates to the joining of two or more shots stitched together. The baptism scene from the godfather tends to depict a classic example of editing setting a benchmark, the cuts across the episodic sequence, such as scenes shot in the church while assassinations are happening on the other side, denote a quick movement from one time and location to another, although its significance varies depending on the type of the cutting. I believe for the visual detailing; they have used cross-cutting is the process of cutting a scene amongst two sequences of actions that might be happening at the same time or at separate periods. Cross-cutting is employed to create anticipation or to demonstrate the link amongst the several sequences of action. On the other hand, dialogue tends to be a vital part of the sound process in the editing; after the final process, the dialogue editing cleans up the unnecessary noises in the background, giving a smoother tone to the primary subject's voices or a gun shot sound as seen in the Godfather clipping. We tend to experience an equilibrium sense of the Corleone family conducting their businesses; the majority of the film is paced at a sluggish, somber pace which is edited with a sense of slowness for the people to obtain a deeper understanding of the backdrop story, of a don being formed till the baptism is shown to the audience, the sound till then is also at a low key. I would like to add the when audience then returns to Michael, declaring, "I do renounce him." Following that, the audience is drawn into another sequence of murders. This cross-cutting, together with the synthesizer accompaniment, produces a cadence that intersperses every violent pulse. PRs Hi, the dichotomy amongst the camera's movement and the protagonists' absence of mobility succeeded in intensifying the tension. It also emphasizes the characters' highly tight and motionless body movements. They are all in perilous situations and having sacrificed individuals of their squads, but they should maintain attentive for the next onslaught. As a result, they are confined to their statue-like poses. The dizziness of the cinematography gives a genuine quality to this moment, as well as the remainder of the film. Arm cameras are frequently used in documentary, resulting in a wobbly image. However, it also provides a factual, instead of idealized, representation of an occurrence. Across the film, Bigelow masterfully employs the method of stretching and compressing duration, rendering some events look quicker or slower than things necessarily were. Throughout this scenario, she used this technique to show the never-ending pause among actions. The opening scene depicts a few of these cases, wherein Bigelow swoops into cartridge casings out of a recently fired shot because it descends to the pavement and substantially delays the gunshot such that it appears much further to descend while it should ordinarily. The soundscape provides another level of anxiety to this situation. The auditory volume of the discourse is significantly quieter than that of the violence, including such bangs and gunfire, all across the film. Though this is accurate to way bullets actually sound, it is not consistent with how other films have historically shown these powerful noises. Although some films consider it a point to highlight that bullets are stronger than talk, often change frequency distribution to close the sound difference. The combat in this film, on either hand, is far stronger than every portion of the soundtrack, and it approaches almost overwhelming to both the viewers and the protagonists. Bigelow also emphasizes the sounds of the little aspects she emphasizes, such as the dropping shell and the insect, which heightens the suspense in the moment, ominous sound in several portions of this sequence, as well as throughout the film, which adds to the dread factor. It also provides the audience with another component through which we might feel the realm of conflict.More Articles From Film and Movies
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